This week’s assignment in the sketch writing class I’m taking over at ImprovBoston was to be topical. We were asked to read a recent headline — in a newspaper, magazine or online — interpret it in any way we liked, and make a short sketch from it. That was our task, and five of us attended yesterday with scripts in hand.
Three were about the ‘Occupy movement’. One concerned Paris Hilton. Mine featured an orphan delivery service and a running joke about a man dating his poodle.
(Is the ‘Which of These Things Doesn’t Belong?‘ jingle spontaneously running through your head now? Good, good — welcome to the party. Have some veggies and dip and find a seat. We’re just getting started.)
In the interest of giving the vaguest hint that I might actually be able to follow simple instructions, I’ll say that my piece was inspired — maybe ’caused’ or ‘mutated from’ would be more appropriate — from a headline I saw online early in the week:
Countdown to 7 Billion: Should World Adopt ‘One-Child’ Policy?
“I’m not here to judge you. I just deliver orphans.”
I don’t think the author was serious about suggesting such a thing — that is, globally applying China’s wildly controversial one-kid-per-couple mandate. But that didn’t much matter. Because I know I wasn’t serious about it. I just wanted to use it for laughs.
So I did.
The result, after a few days’ percolation, is what you see below. I’m not sure it counts as ‘topical’, in any uncomfortable stretch of the word, but I got a kick out of it. Maybe next week we’ll write haikus based on trending tweets or something. Writing class is weird.
[JACK is in a living room. CARL, with clipboard, approaches an outside door and knocks.]
JACK: Who is it?
CARL: Delivery!
[Jack opens the door.]
JACK: You’re not the pizza guy.
CARL: No sir. Package for you. Sign here, please.
JACK: Package? What is it?
CARL: Just sign here, sir. And here. And initial here.
[Jack complies. Carl steps away and rolls in a dolly, on which stands SUZY.]
CARL: And here’s your daughter.
[Suzy leaps off the dolly and hugs Jack tight.]
SUZY: Oh, Daddy! I’m ever so happy to be home!
JACK: Whoa, hold on, buddy. I don’t have a daughter. I’ve never even seen this kid.
CARL: So?
JACK: So… what’s she doing here, and why on earth is she calling me ‘Daddy’?
(To Suzy)
Don’t call me Daddy!
SUZY: Sure thing, Pop-Pop!
CARL: Look, I’m a delivery guy. They say bring you a kid, I bring you a kid.
JACK: ‘They’? Who’s ‘they’?
CARL: The Feds. You know about this global overcrowding thing, right?
JACK: Yeah.
CARL: And that law they passed, dictating ‘one child per couple’?
JACK: Yeah. So?
CARL: So, there you go. One child.
JACK: But… wait, no. That’s a maximum of one child per couple. Not one child for EVERY couple.
CARL: Yeah, well, apparently they weren’t so careful with the wording. Now I’m making orphanage runs six times a day. We all got problems, pal.
JACK: But I’m not even a couple! It’s just me here.
CARL: (consulting his clipboard) Says here you… share the place with someone named ‘Dottie’.
JACK: That’s my dog! Dottie’s a freaking poodle!
CARL: Sir, this is Massachusetts. I’m not here to judge you. I just deliver orphans.
[Suzy releases the hug and looks for the dog.]
SUZY: Ooh, Daddy! Can I ride Mommy like a horsie?
JACK: Nobody’s riding Mommy like a horsie. And she’s not your Mommy! And stop calling me Daddy!
CARL: Sir? I can see you’ve got a lot of parenting and such to do here, so…
JACK: Look. I do not want a kid.
(To Suzy)
No offense… uh, kid.
SUZY: No sweat, Daddy!
CARL: My hands are tied, bud. She’s all yours.
(consulting clipboard)
Name’s Suzy. Likes ponies. No broccoli. C-plus on potty training. Good luck.
JACK: Hey! Wait a damned minute!
[Suzy gasps and covers her ears.]
CARL: Sir, please! Such language around your own daughter! I’m sorry. I’m gonna have to call the OTF on this.
JACK: The what?
[WENDY strides purposefully through the door and flashes a badge to no one in particular.]
WENDY: Agent Brown, Bureau of Orphans, Toddlers and Firearms. What’s the problem here?
JACK: Wait. How did you…?
WENDY: We see a lot of action, sir. We’re very proactive. Now what’s the situation?
SUZY: Daddy said a baaaaaad word!
WENDY:
(To Carl)
You can confirm this?
CARL: Yeah. I heard it.
WENDY:
(To Jack)
Sir, really? In front of your little girl?
JACK: She’s not my girl! I’m not her Daddy! And I’m not dating my poodle!
WENDY:
(To Carl)
He sign the sheet?
[Carl shows Wendy the clipboard.]
WENDY: Sir, I have a Form 228-Q here which indicates clearly that you are this little girl’s father. The situation with the canine – hey, this is Massachusetts. I’m not here to judge.
JACK: Oh, goddammit.
WENDY: Okay, that’s verified – cursing in the vicinity of the child. Sir, step away from your daughter. I’m removing her from the premises, for her own protection.
JACK: But… oh. All right. Sure.
[Suzy walks over to Wendy and starts to leave, then turns to address Jack.]
SUZY: I’m sorry you turned into a monster, Daddy. Maybe someday I can find it in my heart to forgive you.
[Suzy leaves. Jack is bewildered, but somewhat relieved.]
JACK: Fine. Can I get back to my life now?
WENDY: Certainly. There’s just the matter of the orphan endangerment fine. Five thousand dollars, payable to the Federal Government, ASAP. Good day, sir.
[Wendy hands Jack a citation slip and leaves with Carl. Jack looks stunned, then disgusted, and shouts out the door after them.]
JACK: Hey! Next time you want to raise taxes, just RAISE TAXES!!
Permalink | 1 CommentThey say that good things come in threes.
I’m not sure I believe that. They say that good things come to those who wait, too. And I know a lot of really bitter old people who constantly bitch about when the hell they’re supposed to cash in, already. “They” tend to talk out of their asses, so far as I can tell.
So take the next couple of paragraphs with a grain of salt, if you like. But I have three — yes, three — bits of news I’d like to share. Two of them involve a chance for audience participation, even — assuming you’re in the Boston area. Or you’re planning on traveling this way. Or you have gobs of disposable income and can be swayed easily into making an impromptu trip to the northeast.
“If it’s that easy to get money out of you, I might decide to change what I’m wishing for.”
(But if it’s the last one, let me know. If it’s that easy to get money out of you, I might decide to change what I’m wishing for.)
Anyway, the newses:
First, an extension of the fun I’ve had over the last few months as a contributor to the Mug of Woe collection. Thanks to the tireless efforts of editors Jenn and Kyle, we’re having a reading of selected stories at Books on the Square in Providence, RI. The fun starts at 7pm this Friday, November 4th, and is likely — predestined? — to spill out into nearby restaurants, bars, backyards, parking lots and/or gutters. So there’s that.
If listening to people read isn’t your bag, then perhaps you’d prefer to watch people — in this case, nearly precisely the same set of people — act in a short film. Because you’re all ‘visual’ or artsy or something. Fine. Then mosey yourself down to the Charles Playhouse in Boston on Saturday, November 11th to see the latest short from Capricorn Pictures entitled “Viral Video” — one of twelve shorts selected for screening at this year’s prestigious Boston Comedy Festival. It features hi-larious local people on both sides of the camera; including filmmakers Jenn Dlugos and Andrea Henry, WMFO’s Kris Earle, Steve Albert, Winston Kidd, and Josh Gondelman‘s chest hairs.
Also, me.
Find yourself some tickets, or have a peek — which is to say, another peek, since you obviously watched this the first time I mentioned it — at the trailer for a whiff of what’s on tap. Should be a hoot.
And, since I’m here and need a third thing, I’ll mention that I’m currently competing in NYC Midnight‘s 4th Annual Short Screenplay Challenge. It’s new territory for me in a lot of ways, but also a really good time. I spent most of the weekend cramming ‘sci-fi’, a ‘food court’ and ‘chewing tobacco’ into some semblance of a story — and I get at least one more round in early December before they decide to boot me to the curb. If I can angle one of the assignments in a comedic direction, maybe it’ll end up over here.
And if not, then it won’t. I’m disturbing you people enough already without that.
So. With this grand flurry of activity, you might think I was turning a corner somehow. Staying on the ball and focused. Really starting to put things together.
Yeah. You might think that. Sure.
You might even picture me at the office today — as I was — feeling a bit the same way. Confident. Competent. Coool.
Then I took a mid-afternoon potty break, and realized that I’d been wearing my underpants inside-out all day. Must’ve futzed them up this morning. Didn’t notice for six hours. And then, didn’t bother to fix them. Still wearing them now, out side in. Boy, howdy.
So yeah — the writing and readings and screenings and stuff are cool. But evidently I’m still the same simple, genuine down-to-earth guy… who’s capable of wearing horked-up BVDs all day without noticing. I’m pretty sure that’s what they call “perspective”.
Just please tell me it doesn’t come in threes.
Permalink | No CommentsThere are times when I go just a leeettle ‘off book’.
Shocking, I know. But it’s true. I can take a set of rules, fully understand and agree with and digest them, and then completely ignore them. At least the inconvenient bits. Which is usually most of them.
Take this week’s assignment for the sketch writing class I’m taking over at ImprovBoston, for instance. We were asked to write something absurd — as though anything else is possible — and started with a quick exercise to generate ideas.
First, we listed ten occupations. This is the part I did right.
(Because I’ve found in life that you should always do something right, just to give the impression that you’re actually making an honest effort.
Even when you’re not. Which is always.)
One of the occupations on my list was ‘bank robber’. Hold onto that; it’ll be important in a minute.
Next, we were asked to think of ‘superpowers’ that would make those occupations easier — or harder — to perform, preferably in an unusual and absurdly hilarious fashion.
This is where things broke down, just a tad. For one thing, not that many superpowers came to mind. Super speed, maybe. X-ray vision. The ability to tell if the milk is past the date without tasting it.
But none of these fit especially well with my occupations. And the ones that might would be tough to use in a sketch. Unless Clark Kent or Usain Bolt answered the casting call, most of my superpower ideas seemed pretty impractical.
“I got a look. The same look I’ve gotten from my wife, my mother, my dog, my boss, my next door neighbor and elementary school crossing guards for the past forty years.”
So I went ‘off book’. How about a bank robber, I asked, who’s narcoleptic?
Okay, came the answer from the instructor. But that’s not really a ‘superpower’, now, is it?
Maybe he’s super sleepy?
I got a look. The same look I’ve gotten from my wife, my mother, my dog, my boss, my next door neighbor and elementary school crossing guards for the past forty years. ‘Move on,’ that look says. ‘No good can come of your nonsense.‘
So I changed my idea. ‘Narcoleptic bank robber’ was clearly not what they were looking for. And I adjusted accordingly.
I made him rob a convenience store instead. But he still falls asleep at the drop of a hat. Or faints. Maybe that’s not narcolepsy, clinically speaking. In which case, maybe it is a superpower, and I did what I was supposed to do. Even if I didn’t mean to.
All I’m saying is, I met ’em halfway here. That’s sort of my own little superpower, I guess. Just call me “Captain Compromise”.
In the meantime, here’s this sketch. Got a lot of blank stares in class. I simply can’t imagine why.
[RAJ sits behind a convenience store counter, head down, sleeping. MIKE enters, looking nervous, then whips out a gun and points it unsteadily at Raj, who quickly wakes up and throws up his hands.]
MIKE: All right, get your hands up! And no funny business! You do exactly what I say, and nobody-
[Mike crumples to the ground mid-sentence. Raj looks confused, then walks around the counter to investigate. Just as Raj bends down for a closer look, Mike jumps to his feet, still pointing the gun behind the counter.]
MIKE: -gets hurt!
[Mike looks around for Raj, sees him nearby, and motions him back behind the counter.]
RAJ: Whoa, take it easy. I just wanted to see if you were dead.
MIKE: I’m not dead. Now hand over the money, before I do something-
[Mike falls to the floor again. Raj peers over the counter, but doesn’t move. As he checks his watch, Mike leaps back to his feet.]
MIKE: -we’ll both regret!
RAJ: Okay, seriously. What’s up with the falling? Is this, like, a Punk’d thing? Is the gun the camera?
[Raj peers into the barrel, smiling and waving.]
MIKE: No! This is real, pal! It’s just… look. I have this condition. When I get over-excited, sometimes I… faint.
RAJ: Well, can’t you take a No-Doz or something before you go out robbing?
MIKE: It’s not that simple.
RAJ: We have coffee. You want some coffee? Half price.
MIKE: It doesn’t work like that. Now, seriously — hand over the cash.
RAJ: I can’t.
MIKE: What?!
RAJ: The money goes straight to the safe. There’s nothing here; look for yourself.
[Mike leans over the counter to see the register.]
MIKE: Aw, son of a-
[Mike slumps, lying limp across the counter and faintly snoring. Raj waits impatiently until Mike stirs, holding him again at gunpoint.]
MIKE: -bitch!
RAJ: You ever consider maybe this isn’t your ideal line of work?
MIKE: Gee, ya think? It’s not like I’ve got other options.
RAJ: Why not?
MIKE: Well, I didn’t go to college. Obviously.
[Raj looks confused.]
MIKE: Standardized tests? Reeeally stressful.
RAJ: Ooooooh. Right. Well, I never went to college.
MIKE: You probably never fell face-first into the nacho cheese warmer, either.
RAJ: Point. So what now?
MIKE: Now we discuss — very calmly — how to get the money out of the safe.
RAJ: Fair enough. We just need the combination.
MIKE: Okay. Progress. Good. Who has the combination?
RAJ: Let’s see… my boss has it, but he’s not here. And the bank — but they’re closed.
MIKE: Fine. Calmly, now — who else can open the safe?
RAJ: Well, the police. And I hit the silent alarm a while back, so they should be here any minute. They can get your money!
MIKE: Perfect. So I’ll just– wait, what?!
[GARY, a policeman, approaches the convenience store door, speaking through a bullhorn.]
GARY: I know you’re in there! Come out with your hands up!
[Mike faints while Gary is talking.]
RAJ: [shouting] He can’t hear you!
GARY: Why not?
RAJ: He’s sleeping!
GARY: Well, wake him up! He needs to hear this!
RAJ: It doesn’t work like that, apparently!
[Mike jumps to his feet.]
MIKE: What’d I miss?
RAJ: You catch the ‘come out with your hands up’ part?
MIKE: Yeah.
RAJ: You’re good.
MIKE: Right. [shouting] Hey, copper!
GARY: Yeah? How was your nap, sunshine?
MIKE: Oh, laugh it up. I’m getting real comfortable in here. I got me a hostage, and beer, and enough Doritos to last a month.
RAJ: Uh… we don’t carry Doritos.
MIKE: What?!
[Mike faints.]
GARY: This is your last warning. I’ll come in there if I have to.
RAJ: He’s out again!
GARY: Jeez. Can’t you give him a No-Doz or something?
RAJ: That’s what I said!
[Mike leaps to his feet.]
MIKE: How we doing?
RAJ: He’s coming to get you.
MIKE: Crap. Crap. Crap.
[Mike runs behind the counter with Raj.]
GARY: That’s it — I’m coming in! Hands where I can see them!
[Mike and Raj raise their hands. Mike glances at Raj, thinks a moment, then bonks him on the head with the gun. Raj falls in a heap; Mike drops the gun on his body. Gary enters, gun drawn, and sees Raj lying on the floor.]
GARY: That the perp?
MIKE: That’s him, all right. Real nut case.
GARY: Yeah, they always are. Come on, Sleeping Beauty.
[Gary lifts Raj to his feet and leads him away. Raj is too groggy to speak or know what’s happening.]
MIKE: Hey, by the way — can I get the combo for the safe? I want to make sure he didn’t get into it.
GARY: Combo? Pfft. Those things are never locked.
MIKE: What?!
[Mike falls limp on top of the counter. Gary pauses before following Raj out the front door.]
GARY: Jeez, these guys. Always sleeping on the job.
Permalink | No CommentsToday, I got an email. It was from Martha Stewart Magazine, and it loudly proclaimed, in the subject line:
CHARLIE, We want you back!
Now first of all, I want to be very clear about something: Martha Stewart Magazine never had me in the first place. My wife had a subscription for a year or two, and I don’t know how they even got my name. My interaction with Martha Stewart Magazine — let’s just call her ‘Martha’ for short — was, at most, a relationship by association. I wouldn’t call us intimately ‘involved’.
Oh, sure, we had our moments. I might peek under Martha’s covers, if she slathered her outsides with yummy-looking food. And there was that magical Sunday afternoon we spent together — her, waiting demurely on the kitchen counter; me, desperately heading for the bathroom with nothing else to read. We learned a lot about each other that day. We bonded. We laughed. We cried.
But that was a one-time deal. Just a periodical tryst. It’s not like we saw each other exclusively. Martha spent time with my wife — and I stole time with half the magazine rack. Sports Illustrated. Wired. National Geographic. Highlights.
I’m not proud of myself. But a man has needs. I’m not a one-magazine man. That’s just not me, baby.
And now Martha wants me back. Sure, we had some good times together. But can we really go back? Will the magic rekindle? Is it, as someone once said, a good thing?
“The Native Americans beat you to that festive punch by four hundred years and change. Let it go, already.”
I’m torn. On the one hand, Martha evidently comes back at a discount. And anyone who comes crawling back for another ride while promising to cost less is worth a look, for sure. But has anything changed, really? Or under that slick, glossy exterior, is she still the same old Martha?
I needed to know before making any sort of commitment. So I answered the email. I replied, and told Martha I hoped she’d been well. I said I’d been thinking of her — a little white lie never hurt anyone (just don’t tell Newsweek) — and that maybe we could hook up again and see where it goes.
But — BUT — I wanted to see some real evidence of change first. We’ve talked, Martha and I, about some of her shortcomings. Too many recipes, not enough food pics. An unhealthy obsession with centerpieces. And gourds. Lose the gourds, Martha. Seriously. The Native Americans beat you to that festive punch by four hundred years and change. Let it go, already.
So I asked. Martha took the time to reach out to me, so I laid it on the line to find out where her head is at these days. Maybe she’d seen the light, and was ready to please. Without some dried-up gourd collection in the middle of the table. I hit ‘Send’, and daydreamed of the future. Would Martha and I reconcile, soon skipping hand-in-hand on the way to some ‘quality time’ in the can?
Looks like the answer is no. That fancy literary bitch never got back to me. She’s probably snorting coke off the back of a hollowed-out squash right now. Oh, she says she wants me back — but where’s the follow-through, Martha? Put your money where your subscription card is, honey. We’re through.
Unless my wife gets the same email, I guess. Maybe she’ll take you back, and I’ll see you around the crapper again soon. But it’ll mean nothing to me any more. You hear me, Martha? NOTHING!
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